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Time Being

It’s by far the most shocking thing to happen on a London campus in decades. A lecturer shot dead – in apparent imitation of the Reeva Steenkamp case a few years before – through the door of a toilet stall in the Humanities building. The questions are myriad. Too many to answer in the short window the press affords the story before the customary slide into seasonal oblivion. The victim is Laura Cameron, Professor of Philosophy, and Esther’s dear friend and colleague. A mother of two, and almost as renowned for her eccentric, bohemian style as for her books on metaethics and moral responsibility. With her heron’s-nest hair, held high in an improbable construction, Laura was unmistakeable walking into a conference hall, or on TV. A public academic, and the youngest woman to be made professor at the University of London, Laura was brilliant, risky, unconventional. A force of nature, the newspapers predictably say. All the qualities, Esther reflects in the dark, time-arrested days of January that follow, that she lacks.

Read the opening pages of Time Being, the new novel by Jude Cook.

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A Life Nobly Lived

Paul, with his good Christian name, wanted to mark his white damask caparisons and liturgical sandals and his cloaks, particularly the one depicting the Tree of Jesse, with a bold and original monogram, one that would immediately and resoundingly promulgate his high and uncontaminated standing in the world to everyone with seeing eyes, and so the boy, whose name he could not be bothered to learn, was brought to him. It was the boy, the baker’s son, who’d designed Manuel’s monogram. Where the boy might have learned this skill never crossed Paul’s patrician mind. He was too enraged to hear others, especially Mechthild—Mechthild with her circlet of verbena and those wildly wide-set, goat-blue eyes that drove him near mad—praise Manuel’s monogram. Manuel’s nobility was not a hereditary condition. He had no longstanding coat of arms. He was merely a knight—a knight!—and Paul loathed him. He ordered that a peacock be skinned without plucking, roasted, and brought to table in its natural envelope. In its beak, a sponge soaked in spirits of wine was kindled, and Paul made his vow: Lo, though it be in defiance of the Peace and Truce of God, he would have Manuel beheaded. Yet before the sword smote the worm’s head, Paul would see to it that Manuel looked upon his monogram and knew it to be the superior of the two.

A short story by Young Rader.

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Wonderful Things

The Valley of Kings, 1922. Obstinate and impatient, Howard Carter and Lord Carnarvon descended with their excavation crew into darkness.

“If they go down in that spirit, I give them six weeks to live,” joked reporter Arthur Weigall.

Carter—the self-made man, the scrappy adventurer—broke into the outer chamber, which released a plaintive gust. He clambered inside, the first soul in three thousand years to breathe that air. He paused before the sealed door which bore a foreboding inscription: You people who enter this tomb make evil against me, may snakes be against you in water and on land.

An awed hush fell over the scene. By candlelight, Carter hacked a hole into the pitch-black tomb. As he reached his torch into the darkness, his eyes adjusting to the light, what he saw shook him to his core—

A short story (in variations) by Jonny Aldridge.

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The ultraviolet Catastrophe

Being a regular guy — that is, being downtrodden by the capitalist system as opposed to merely heterosexual and (possibly) patriarchal too — Hugh spent the best part of Christmas Eve alone at the Space, inputting the last lot of scientific data (which was not data science, or even rocket science, but still just as boring). At eight PM he was finally ready to log-off and head back through the dark but still partly leafy streets. Despite the Berlin Senate’s demands that the Hypothetical Ramessesium be immediately removed, the city still bore numerous traces of it: broken logos buzzing round the dirtier corners and continuing to remind everyone that yes, Lex Ramesses really was the master of their universe, while also revealing — or partially hinting at — the other, possible corners of it that he would one day rule as well.

Read an extract from The Ultraviolet Catastrophe by Susan Finlay.

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Jewel Box

No one knows why anyone else is here. The Swiss consul, for starters, is searching for his ex-daughter. The country, he says, is remote; others say that eventually, her mien spectral, she may well return. Some give instructions: For proper aftercare, boil your ear in salt water for fifteen minutes, twice a day. If excess itching occurs, drown a gibbous. If you are struck by the need to vomit, or find yourself coughing uncontrollably, it is far more polite to excuse yourself than attempt to quell in front of your party—gaping with fear, alarm, eyes eyebrowless—the tempest in your solar plexus. Two reminisce suggestively about the taking of the jewels; gloved, by night with torch and spear.

A short story by Shea Hellenthorpe.

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The Rhyl Deal

At the outset, a taxi accidentally exits a car park through the entrance, thereby producing a remainder — “a surplus piece of paper” — in the shape of a ticket that preserves its potentiality by remaining in abeyance: “the unsurrendered ticket, paper scrap that had purloined itself, slipped through the architecture of the system it was meant to serve”. There are other similar intervals — interregna — in the novel where the order of things is subtly subverted.

Andrew Gallix on The Rhyl Poster by Tom McCarthy.

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A Literary Action

My ‘novel’, The Coast of Everything, was published on June 16th (Bloomsday, cheekily enough) and in fairly short order had accumulated a number of lengthy reviews in prominent places that exhibited a conspicuously uniform hostility and (the author would suggest) misunderstanding. It was almost as if a memo had gone around — indeed, one reviewer explicitly suggests that one at least should have. But conspiracy theories are not necessary to explain what I see as groupthink. It wasn’t really my book (as I believe the following essay will demonstrate) that was reviewed — it was ‘this sort of thing’.

Guillermo Stitch responds to his critics.

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The Coast of Everything

‘You must choose’, Samuel Beckett wrote in his novel Molloy, ‘between the things not worth mentioning and those even less so. For if you set out to mention everything you would never be done.’ For Beckett as a young author, James Joyce was the writer of ‘everything’ whose intoxicating maximalism compelled him to go in a direction that eventually led to the sequence of novels which began with Molloy and, by The Unnamable, had distilled to a babbling voice trying to say ‘I’. Despite all appearances, from title and length to its sprawling narrative, rampant intertextuality and everyman heroes, Guillermo Stitch’s The Coast of Everything – a captivating, sometimes maddening novels-within-a-novel about the future of fiction – is not the Joycean Gesamtkunstwerk it seems. It is a Beckettian book, one that knows storytelling is an incessant need and that narrative shape is pure artifice.

W. J. Davies reviews The Coast of Everything by Guillermo Stitch.

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We’re Nobody’s Children: David Bowie and Existentialism

Bowie’s life and work was an act of supreme creativity but also one of ‘decreation’. His approach throughout his career was to adopt personas that provided spaces for his listeners to reflect on their situation and create for themselves a more authentic life. His songwriting was an act of self-effacement, an attempt to get himself out of the way, but he then killed off these many ‘selves’ and, through stripping himself away in this fashion, Sharpe states that he was ‘choosing difference over identity, otherness over self’. So true.

Richard Skinner reviews We’re Nobody’s Children: David Bowie and Existentialism by Alex Sharpe.

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Killing Time

When I became a ghost, I kept going but the world went slack. The living drifted like continents. Sneezes bloomed slower than the corpse flower at the Chicago Botanic Gardens, which is where the blood clot got me. I quickly gave up on all that edification and headed south to Port St. Joe to see about killing my husband Swett.

At first, I passed time floating through cars, tapping French fries out of passengers’ gaping fish-mouths. Outside Nashville, I drifted into a hooptie in the eons-long process of crumpling into a semi. The driver’s ghost, newly released, took one look at me and fled.

A short story by Meghan Williams.

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Reasons Not to Bathe

Things got sticky this week, Stephen told her, when the man he called the Russian went into the bathroom for private ablutions and the glass eye he took out to wash slipped through his fingers and rolled into the toilet stall. The first thing anyone heard was the unlockable bathroom door swinging open with unusual force. Then the surge of limbs pumping and a sense of their pluming wake as the panicked one-eyed man charged fast to the nurses’ station, holding the eye aloft between two fingers like a bon bon.

Excuse me. This requires antiseptic rinse. Excuse me, said the Russian.

Stephen was watching from where he always stood, near the nurses, flush against the wall.

The nurse made a gesture at the man with her chin, up and out and then back down to her phone call, to register the red fleshy backdrop where an eye should have been, the surprisingly large white globe and glassy brown iris pointed her way.

A short story by Mary Byrne.

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Animal Nightlife

It immediately immerses the reader in a world of magical realism, layered language and music. We meet Ravi, Sean, and Vikram, three childhood friends from South London whose shared history binds them through deep loyalty and strong, albeit typical male-friendship kind of affection. They flock together like birds of a feather, quite literally, because one of the curious secrets they share is that all of them possess wings.

Elte Rauch reviews Animal Nightlife by Koushik Banerjea.

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